Orchestra Becomes Radicalized

Orchestra Becomes Radicalized

Visible Cloaks, Ian Christensen Quartet

Wed Nov 30

8:30 pm

$8.00 - $10.00

Tickets Available at the Door

This event is 21 and over

Musician and writer John Niekrasz (Why I Must Be Careful) returns to Portland to direct his second annual Orchestra Becomes Radicalized.

Orchestra Becomes Radicalized
Orchestra Becomes Radicalized
Featuring members of AU, Golden Retriever, Like a Villain, Dragging an Ox through Water, Dolphin Midwives, Thicket, and The Crenshaw, Orchestra Becomes Radicalized is a supergroup of Portland’s most creative musical minds and hearts coming together to forge an intricate and powerful work of sonic art.

Holland Andrews (voice, electronics)
Luke Wyland (keys)
Brian Mumford (guitar, electronics)
Sage Fisher (harp, voice, electronics)
Jonathan Sielaff (bass clarinet, electronics)
Andrew Jones (double bass)
Ben Kates (alto sax)
John Niekrasz (drums, composition)

Orchestra Becomes Radicalized will perform a new score, titled Five Hundred and Two, built upon Subcomandante Marcos’ written descriptions of anonymous Zapatista Capitánes and Lieutenants known only by their first names: Irma, Laura, Elisa, Silvia, Maribel, Isidora, Amalia, and Elena.
Visible Cloaks
Visible Cloaks
Visible Cloaks’ Reassemblage is a collection of delicately rendered passages of silence and sound that invokes – and invites – consciousness. The foundation of the duo’s second album is gently poured upon the ground their musical predecessors explored, using the materials of chance operations, MIDI “translation,” and other generative principles that favor inclusive musical environments over the narrowly constrained.
In 2010, Spencer Doran, one part of Visible Cloaks alongside Ryan Carlile, prepared the first volume of Fairlights, Mallets, and Bamboo, a mixtape indicated by Doran as “an investigation into fourth-world undercurrents in Japanese ambient and pop music, years 1980 – 1986.” These mixes contextualized the outré orbit of Yellow Magic Orchestra-related solo projects and their abstract, radiant forays as forever futuristic modes of music.
Reassemblage evokes similar musical futures celebrated on the Fairlights mixes, but does so observantly rather than reverently. The title Reassemblage, for example, is taken from a film essay by Trin T Minha-ha, which explores the impossibility of ascribing meaning to ethnographic images. The author aims to “speak nearby” rather than “speak about.” In other words, to embrace lapses of understanding, and realize that the impulse to map direct meaning across a cultural gap often results in further disconnect.
In an effort to “speak nearby” rather than “speak about,” Visible Cloaks filters and forms source material to become young again. Often the duo strip tonal elements of their specificity or randomize melodies so they become stirring and lucid. Essential patterns emerge, conscious experience heightens. In these moments, the musical language of Reassemblage finds unlimited resonance and presents a path to uninhabited realities.
The origin of this language could be described as translingual or polyglottal, working within the eastern / western feedback loop of influence, Fourth World ambiguity, and the universality of human emotion. Incorporating an international array of virtual instruments to advance the idea of pan-globalism through digital simulation, tones and colors cohere into a living, breathing pool of sensorial experience in Visible Cloaks’ environs.
Beyond embracing the fluidity of worldly musical influences, Visible Cloaks works fluently between mediums. The contribution of stalwart digital and installation artist Brenna Murphy’s dream dimensions to Reassemblage’s cover artwork and surrounding videos extends the album’s exploration of global headspace into a visual, visceral reality.
In the tradition of Fairlights, Mallets, and Bamboo and Interiors, Doran compiles an hour of literal and figurative musical interpretations for the Translations mixtape. Divided into Day and Night sides, the former weaves Japanese music through deconstructed human voices and contributions from peers and contributors to Reassemblage. The Night side bends introspective with choral music from the Eastern Bloc, Italian spiritual minimalism, and early software-based generative music experiments.
Visible Cloaks Reassemblage will be released on February 17, 2017 on LP, CD, and digital formats. The Translations mix will be released on cassette, and only available in this limited format.
Venue Information:
Holocene
1001 SE Morrison St.
Portland, OR, 97214
http://www.holocene.org/