Lydia Ainsworth

Lydia Ainsworth

Dolphin Midwives, Johanna Warren

Wed May 3

8:30 pm

$10.00 - $12.00

This event is 21 and over

Lydia Ainsworth
Lydia Ainsworth
“Jimi Hendrix said you need fantasy,” says Toronto’s Lydia Ainsworth, “to see reality more clearly.” On her sublime second album, Darling of the Afterglow, Ainsworth upholds Hendrix’s wisdom in the best way. Vividly imagined and richly felt, the follow-up to Ainsworth’s Juno-nominated Right from Real (2014) is an album of intimate emotions projected in heightened widescreen, where yearning pop classicism and classical smarts merge with other-worldly synthetic sounds and weird-gothic R&B influences.

For Ainsworth, it represents a great leap of confidence from her prodigious debut, whether she’s conjuring the crystalline harmonies and death’s-head rhythms of ‘The Road’, the lush earworm pop of ‘Ricochet’ or the small-hours reverie of ‘WLCM’. Blessed with an extraordinarily supple voice, Ainsworth commits herself fully on all fronts, honouring the words of ‘Afterglow’: “To play it safe is not to play at all.”

The haunting cover of Chris Isaak’s ‘Wicked Game’ is a test-case; embracing its vocal challenges live, Ainsworth relished stepping outside her comfort zone. “I usually have to be out of my element to get that spark of inspiration,” she says. The album title itself came to her while she was out of her element, explains Ainsworth, living near LA’s Echo Park - home to the Art Deco statue ‘Nuestra Señora Reina de Los Angeles’ (Queen of the Angels). “Walking around the lake just after sunset at a time when I was desperate for human connection, I found comfort in this statue. She gave me the inspiration for the lyrics to the song. It was as if she was singing them to me.” Pass the message on: Darling of the Afterglow is a bold, beautiful album from a voice ready to be heard.
Dolphin Midwives
echo jungle chaos magic moon milk ocean murmurating orchid sleeper holy hands/helping hands interface nodes/architecture/lace gravity doesn't exist change the laws of physics levitation shapeshift/shadow energy density clarity prismic sound microtonal vision quest whirling rainbow vortex portal opening reverberating witch sister who plays harp/zither/voice/noise/electronics and everyday objects
Johanna Warren
An intuitively self-taught guitarist, Johanna Warren channels powerful songs in weird time signatures and melancholic open tunings, weaving adept finger-picking with acrobatic vocal lines and carefully crafted poetry in reverence of her patron songwriting saints Elliott Smith, Joni Mitchell and Nick Drake. Approaching music as a potent healing modality, Warren cultivates and honors the physically healing properties of sound and the spiritually healing powers of artistic expression.
Venue Information:
Holocene
1001 SE Morrison St.
Portland, OR, 97214
http://www.holocene.org/