No Kind Of Rider

No Kind Of Rider

Sama Dams, Slow Corpse

Thu Sep 13

8:30 pm

$8.00 - $10.00

Tickets at the Door

This event is 21 and over

Join us for the vinyl album release party for No Kind of Rider's Savage Coast!

No Kind Of Rider
No Kind Of Rider
No Kind of Rider started in Tulsa, Oklahoma and is now based in Portland, Oregon.
Sama Dams
Sama Dams
The music of Sama Dams steals from you most virtuously — it will rob your sense of time and leave you wondering how long you’ve been awash in sound, rhythm, and ether.

On their fourth release, “Say It” — released on Friendship Fever on April 6 — Lisa Adams emerges from the background to deliver commanding lead vocals in her clarion soprano alongside partner Sam and the highly textured drumming of Chris Hermsen.

Almost in answer to the muted ambivalence that marks movements from the band’s previous “Comfort in Doubt,” “Say It” features the trio striking boldly throughout, both musically and thematically. According to Sam, “It’s about being more honest about what we’re thinking and feeling.”

Inspiration came from a year of watching silence make a mess of love in friendships close to the band. “Something seems off — you sniff something,” says Sam. “You don’t acknowledge it exists, and so by letting a small problem go, you allow it to grow.” “What’s the use for pockets if they’re empty?/Fill them up with things you use against me,” sings Lisa on the album’s first track, succinctly summing up the war of attrition underlying a failing relationship.

The band’s hallmark of grooving angularity packs even more punch when partnered with direct pathos, as in tracks like “Driving By.” Melding the wailing riffiness of fellow Midwest native Billy Corgan at his best with the cool synthesizer of a hundred beloved 80s soundtracks gone by, Sama Dams takes their distinctly left-field sound into anthem territory, and does it with audacious and tender authenticity.

The album feels like a coming-of-age for the band, who have been creating and touring out of Portland, Oregon since 2012. Having first pitched their tent in a time and place that revolved around the folky fusion of bands like The Decemberists, Sama Dams now claims a favored seat in a music scene edgier and more eclectic than the Pacific Northwest itself.

The Adams’s, proactive about fueling the creative partnership at the heart of the band, are constantly looking both outward and inward for inspiration. They have toured relentlessly both domestically and abroad since the release of their first full-length album, honing their ambidextrous live performance to a soulful effortlessness that belies the complexity of the music. Their dynamism is infectious, spawning side projects and writing experiments that span states and genres.
Slow Corpse
On Fables, the forthcoming release from Ashland, Oregon favorites Slow Corpse, languid soul and gauzy dream pop float effortlessly over a bed of nuanced post-rock melodic complexity. Taut, arrestingly propulsive R&B-tinged melodic hooks ebb and flow against an ever-present undercurrent of woozy psychedelica. Born out of the creative union of artists from very different musical ecosystems, Fables manages to blend seemingly disparate elements together in a record that is both intellectually compelling, absolutely of-the-moment, and just plain catchy as hell.

The brainchild of an EDM producer and a blues guitarist, Slow Corpse was born out of the misty forests and craggy mountains of Oregon in the fall of 2015. Singer/producer Mitchell Winters first rose to prominence as the golden boy of Soundcloud, where he releases electronic music as PALMCO. Guitarist Brenton Clarke cut his teeth as a hard blues and shoegaze informed, one-man-musical-tour-de-force. Winters and Clarke had known each other tangentially in high school and college, and eventually they got together for a casual jam session. “Brenton showed me a riff, I sang a little melody over it,” Winters tell us. “Then we stared into each other’s eyes and simultaneously said ‘let’s make song babies’. It’s been going ever since.”

Following the release of their first two EP’s, Hound and Moons, Slow Corpse added multi-instrumentalist Cole Zollinger (Bass), hip-hop producer Dash Curtis (Keys), and Kelvin Underwood (drums) to their roster, creating a live band that has mesmerized crowds and seen the band opening for the likes of The Decemberists, Fitz & the Tantrums, Paul Wall, and more. In the fall of 2017 they signed to Portland, OR indie stalwart Tender Loving Empire, where they join the ranks of indie darlings Andy Shauf, Y La Bamba, and Typhoon.

Fables is the result of a multi-year migration through the Pacific Northwest, written and recorded in whatever space the duo found themselves residing at a given moment. “Always small spaces, bathrooms, sometimes closets… but I always name my wifi Palmco Studios” says Winters. Produced and mixed by the band, it was mastered by Adam Gonsalves (Radiation City, Burials).

Lyrically, the record runs the emotional gamut and is a broad-stroke snapshot of the reality of a post-millennial twenty-something. “People don’t need a message from the record” says Winters. “I just want people to come to our shows and dance with me.” Crack the cover on Fables, lose yourself in the spellbinding melodic narratives, and you’ll find that’s a near certainty.
Venue Information:
Holocene
1001 SE Morrison St.
Portland, OR, 97214
http://www.holocene.org/