Jump Jack Sound Machine Presents - Ego: A Leo Season Extravaganza
Shitney Houston (birthday bash!), Natasha Kmeto, Chanti Darling (live!), Maarquii, Faun Dae, Kyle Ford, Soph, Club Charcuterie
Sat Aug 11
This event is 21 and over
$8 Advance or before 10pm at the door, $10 after!
Jump⚡️Jack Sound Machine
Is Portland's dance floor and incubator for movers, groove makers, art darlings, and audiophiles with an ear for deeper cuts and eyes for bright lights...
House, Disco, Funk, Break, Tech; Jump⚡️Jack will focus on the sounds that have defined dance floors and disco balls. We are your light bearers. ⚡️
⚡️As always LQQKS are where it's at...
Come to be seen.
⚡️Come with an open mind and prepare to have it blown...
We are a diverse group of queerdos, art makers, qweens, movers, and allies.
⚡️Prepare to lose yourself in the music...
Natasha’s artistic growth has accelerated after years of hard work. She’s at her most self-realized on her latest LP Inevitable, an album that deals with matters of love and a newly affirmed personal outlook. She has increasingly embraced her identity as a queer female, letting it interweave with and inform her talents as a musician. Like anyone undergoing the lifelong process of self-acceptance, Natasha’s growth is expected continue in inventive ways.
Natasha tours nationally out of her home base in Portland, Oregon. Her long list of notable live performances include a 2014 national tour supporting TV On The Radio, gigs at Coachella, Bumbershoot, MusicfestNW, Electric Forrest, Symbiosis, SXSW, Low End Theory, and Decibel Festival. She has shared the stage with a number of talented artists including Four Tet, Squarepusher, Flying Lotus, Flume, Machinedrum, Dam Funk, Kode 9 and Shlohmo. Releases by Natasha have been featured by many acclaimed media outlets including NPR, Pitchfork, Spin, Fader, Resident Advisor and Rookie. Her radio experience includes live performances on Boiler Room and KEXP, and her tracks have been played by numerous tastemaking DJs including the legendary Mary Ann Hobbes.
electro-soul adepts Chanti Darling, Trü drinks deeply from the sacred founts of Disco, Boogie Funk, and the
dizzying universe of house music. Teasing out the essential filaments, Trü weaves a sound that nods to the
past as it blasts into the future; urgent, irresistible, and absolutely of the moment.
Raised on a steady diet of jazz, soul, and his mom’s Boogie Funk collection (he started leading vocal groups at
age ten), multi-instrumentalist Trü studied opera, musical theater, and composition. Naturally drawn to the
primal energy of the club scene, Trü first made a name for himself as a performer, promoter, and DJ. “I was
always drawn to the power of music to make people dance” says Trü . “There’s some innate, ritualistic
pre-human thing within us, engrained on our DNA. The metaphysical combination of melodies, rhythms, lyrics
and ideas; it’s what our very consciousness is made of. It is creation itself.”
To aid him on his pilgrimage, spreading the gospel of RNB, Trü turned to fellow sonic wizards Natasha Kmeto
and Damon Boucher. “Natasha and I have lots of conversations about unsung heroes of popular music”
explains Trü “RNB musicians that don’t get the shine that they deserve because they are women, or black, or
queer. Then a blonde haired blue-eyed dude from someplace trendy literally “borrows” from this genre and all
the sudden RNB is cool. No. It’s never not been cool.”
Written over three years and recorded in Portland, Oregon at Zip Zap and Eyrst studios, the record features
numerous collaborations with producer Boucher and Kmeto. While some of the songs were written in the
studio, much of the music was refined during the bands already legendary live shows. No doubt dazzling
choreographers and dancers The Step Touches – the only constant in the Chanti Darling lineup apart from Trü
– have helped build the legend with their epic performances.
Early in the project, Trü put together a band that included Hannah Blilie of The Gossip and Rebecca Cole of
Wild Flag. “It’s amazing to be able to develop ideas in a live setting,” Trü tells us. “A lot of these songs started
from live instrumentation and were then translated through digital production.” In fact, the bulk of the music –
apart from the drum programming – was tracked live.
Aesthetically, Chanti Darling melds 80’s retro-futurist iconography with a late-night summertime vibe; THE RNB
is a place of neon lights and palm fronds, washed in the pastels of dusk and dawn. Together, Chanti Darling is
undeniable and immersive. This has not gone unnoticed in the Pacific Northwest – and beyond. Voted
Portland’s “Best New Band” in a poll held by Willamette Week , the band has already performed at the
Pickathon , Treefort , and What The Festival events, played a host of shows with Hercules & Love Affair, been
featured in Vice and Dope , and shared the stage with NAO as part of Red Bull Sound Select.
“This record is built upon a sort of string theory of RNB sounds” says Trü . “THE RNB is a type of place that
exists in another plane. It’s another dimension. A place beyond dreaming that is the totality of your highest
vibration. All the rest though… is just mundane.”
One of the timeless, primary allures of music has been the ability to lose oneself within it, and with RNB Vol.1
Chanti Darling has crafted a sonic totem, imbued with the power to transport the listener to a place of
hip-shaking, sweaty freedom. “I wanted to create a record that people could be absorbed by. Something to hold
them and envelop them. The world… the world itself has gotten so dark. That darkness bleeds over into
everything that we create. Which can be amazing. But, I felt my call was different. I wanted to create a shift to
positivity and light.” Blessed through a life steeped in rhythm with the mystic ability to tap into and channel the
primal genomic funk, Chanticleer Trü has crafted a shimmering antidote to that darkness. RNB Vol.1 is a
rapturous, profoundly engaging (and much needed) mega dose of humanities first antidepressant.
1001 SE Morrison St.
Portland, OR, 97214