We're thrilled to host legendary SF-based indie pop outfit The Aislers Set.
8:30pm | $15.00 advance $15.00 day of show
The Aislers Set occupy an enviable place in the pop pantheon. Brimming with drunken romanticism, sharp pop sensibilities and timeless melodies, The Aislers reveled in the history of great POP, spiking their classicist 60s-tinged tunes with pure post-punk energy and originality of bands like the Fire Engines and The June Brides. Every song is a meticulously constructed sound world, where the arrangement and instrumentation sublimely, uncannily bring each tune to completeness.
The Aislers Set began in 1998 as a vehicle for the songs of Linton, who had most recently co-led San Francisco's legendary Henry's Dress and drummed in Go Sailor with her pal Rose Melberg. With Henry's Dress she had helped guide the band from it's noise/drone beginnings to the explosive mod/punk fusion that made them such a force to be reckoned with. With The Aislers Set the original goal was just to write, record and document.
The result was the first Aislers Set album, 1998's Terrible Things Happen. Not content to merely (!) write some of the most sublime pop tunes this side of Ray Davies, Linton got busy in her garage studio and recorded and produced almost the whole record by herself. It's a remarkable feat, and a love for such producers as Phil Spector and Brian Wilson shines from each and every groove. This is no shameless 60's pastiche, though, with the echoes of classic pop past filtered through a totally 90's aesthetic. It's a beautiful, multi-layered record and a genuinely great achievement of home recording.
During the course of recording TTH, Linton was joined by some friends who became the full-band Aislers Set line-up: Alicia Vanden Heuvel on bass, Yoshi Nakamoto on drums, Wyatt Cusick on guitar and Jen Cohen on keyboards. It's this fantastic line-up that toured in 1999 and put together the second album, 2000's The Last Match. Where Terrible Things Happen's synthesis of 60s mod-pop, 70s punk and 80s/90s indie flavors provided an end-of-the-century summation of where pop had been and where it was heading, The Last Match upped the ante even farther.
More ambitious in conception, The Last Match expanded the band's sound into more orchestral areas. While the songs are still driving and catchy as a fish hook, the arrangements are far more sophisticated. The instrumentation has been augmented by a Jen's vintage keyboards/organs and various horns, giving the tunes the timeless feel of classic groups like the early Bee Gees, The Zombies and The Millennium. Still preferring to record in the garage where they are allowed unlimited time for experimentation, the band had no problem crafting an amazing sounding album that could have sprung fully-formed from the hallowed studios of Gold Star. This is no murky lo-fi production, but a fully-rounded and rich-sounding recording with a warm, analog sound.
The Last Match was a roaring success, garnering fantastic reviews and spurring the band to tour the US, Japan and UK multiple times, with bands (and fans) including as Belle & Sebastian, Black Dice, The Gossip, Erase Errata, Comet Gain and Sleater-Kinney. The band even achieved the ultimate badge of indie honor, recording a session for the legendary John Peel. Even more, The Last Match established The Aislers Set as one of the most beloved indiepop bands of their generation. It was a must-listen album, one that fueled fond memories, sparked love affairs, set off spontaneous dance parties, and reminded us all of the power of songs and song-craft and POP. It's chiming guitars and indelible melodies were heard everywhere from London to Tokyo, from Glasgow to Malmo: The Aislers truly came into their own with The Last Match
2003 saw the release of the band's final album, How I Learned To Write Backwards. At once more baroque and edgier than its predecessor, How I Learned To Write Backwards expertly wound together so many strands of pop history with such personality, atmosphere and style that there's never any doubt that you're listening to a band with vision. Far from being a "name the reference" game, The Aislers used the past as inspiration rather than a blueprint, so the echoes you might hear of, say, Phil Spector's Wall of Sound or Laura Nyro's soulful lyricism are so well-integrated into the Aislers' sound that they're more akin to the spice in the stew rather than the stock of the soup.
While the band had stopped playing and recording together by 2004 thanks to life commitments, their reputation has only grown and sporadic reunion shows and mini-tours have met with rapturous response. Now Slumberland and Suicide Squeeze are proud to join hands to re-release these fantastic, seminal albums in remastered form, and on vinyl LP again for the first time in over a decade. All three albums will feature new liner notes, updated art and sharp sound. Further, the band will play a select set of shows this Fall, and a new album of singles and rarities is being prepared for release in early 2015.
16mm Projector Performances and Live Music from:
Matt Carlson & Mia Ferm
Matt Carlson & Mia Ferm
Plus a dance party with:
Cinema Project celebrates the opening of their fall season and beginning of their 11th year with a night of live music and 16mm projector performances.
8:30pm | $8.00 day of show
Matt Carlson (of Golden Retriever) teams up with Cinema Project's own Mia Ferm to pair Carlson's dense and dynamic modular synth sounds with dreamlike loops of celluloid composed, manipulated, and projected by Ferm. Following, will be more live music with projections of discarded gems drawn from artist Stephen Slappe's vast 16mm found footage archive. The evening will be carried into the night by DJ DNA (XRAY.fm, Splash), who specializes in finding and showcasing the groovy jams hidden in the sonic residue of the 80's.
Laid Out and Holocene present...
8:30pm | $8.00 advance $10.00 day of show
Midnight Magic is a cosmic disco ensemble with a desire to make you, the listener, and the rhythm, become one. Anchored by New York City underground dance music vets Morgan Wiley and W. Andrew Raposo, and powered by vocal temptress Tiffany Roth, Midnight Magic's size matches their larger than life sound, ranging anywhere from four to nine people.
Holocene and Coco B present...
with resident DJs:
9pm | $5.00 day of show
SNAP! Is a monthly party that happens every last Friday of the month at Holocene in Portland, Oregon. This DANCE PARTY is held down by resident DJs Doc Adam and Colin Jones, and hosted by Ms Coco B. The vision behind the party is to offer a slice of nostalgia that will bring booty-shaking, head-nodding and memories of all those awesome middle school dances. SNAP! is proud to have hosted some of the most talented DJs/Producers touring the world currently. Here are some of the great artists that SNAP! has had the pleasure of hosting: Sammy Bananas, Pandemonium Jones, Emynd, Dj Eleven, Evil One, Dj Beyonda, Dj Automaton, The Trashy Trash Djs and more!
MAIN SQUEEZE Dance Party
FREE BEFORE 10PM!
9pm | $3.00 day of show
Main Squeeze is a celebration for floor movers of all stripes. From house and techno to deep cuts and disco, expect nothing but the freshest selections off the vine. Whether you have a main squeeze to shake it with on the dance floor, or are on the hunt for a sweet new thing, we've got you covered with sensual selections all night long.