((( O ))) – w/ YAWA (Amenta Abioto) – 21+
We found a fairy who makes music in a treehouse. Whose music gear is solar-powered and serves as ‘a direct gift from the sun, an opportunity to create.’ Her art creates a bridge for the modern world to return to nature, to be swept away with her story and sounds she has collected throughout her journey. ((( O ))) is working with the cycles of our natural world, releasing audio/visual art pieces of her universe through what she calls “Moondrops” every full moon. They are later compiled into albums every year called “Sundrops.” She uses meditation to travel to her heart space, where she finds light and translates into sound. She has chosen to follow her inner guidance to complete 12 albums for the next 12 years, giving people the trust and curiosity to stay with her on her musical journey. “R&B rhythms interacting with her elastic vocals, alongside lyrical references to following the stars.” – Crack magazine, 2019 “((( O ))) has chosen a name that’s unpronounceable on purpose. “I don’t resonate with my [given] name,” the emerging experimental R&B auteur explains, speaking over a crackly line from the Philippine jungle. “I’m super energy-based, so the best representation of who I am is without words.” “ – Crack Magazine, 2019With local support from YAWA aka Amenta Abioto!
SADIE JEAN – Simple Like 17 Tour – w/ Holden McRae – Early show! – All Ages
Sadie Jean’s music strikes a universal chord akin to a late-night chat with your best friend. She connected with millions of people over the release of her debut single “WYD Now?”, a tear-jerking plea to an old flame to try and get it right one more time. Since its release, the track has surpassed 150m Spotify streams and became RIAA gold-certified, solely due to its pure, raw emotion. Multi-platinum artist Rod Wave also sampled the track on his song “2018,” marking Sadie’s Hot 100 debut, as well as inviting Sadie to guest perform the song on a 30-date sold out arena tour. In 2022, she released her second single, “Locksmith,” an equally moving ballad that itself has blown past 100m Spotify streams. These deeply vulnerable singles became the blueprint for the tracks that would make up the rest of her debut project “Simple Like 17.” Throughout the project, Sadie Jean pairs smart and cutting lyrics with timeless, uncomplicated arrangements, unveiling something powerful: that sometimes, while longing for another person, you’re truly seeking yourself. After a lifetime of work and a complete project, Sadie Jean is bringing the Simple Like 17 Tour to 17 cities across North America for an intensely crafted show experience. She’ll be performing the project in entirety in small venues hoping to connect with each audience member individually. Make sure to catch Sadie Jean’s first ever headline tour “Simple Like 17” before it sells out. with support from Holden McRae
From Indian Lakes – w/ King of Heck – ALL AGES
From Indian Lakes began as the solo project of California-based singer/songwriter Joey Vannucchi. Growing up on 40 acres of land near Yosemite National Park, the multi-instrumentalist first gravitated toward drums, playing in various bands throughout his youth before eventually focusing on guitar and songwriting. Intricate rhythms continued to be a major feature of his thoughtful post-rock sound and at age 20, he began recording songs at a friend’s studio in the neighboring town of Indian Lakes. Initially releasing the material under the name Songs from Indian Lakes, Vannucchi shortened it after recruiting a group of musicians to begin playing live. Now a full band, they released their debut LP, The Man with Wooden Legs, in 2009. A mix of full-band touring and living-room solo tours for Vannucchi’s 2011 Acoustic EP followed as their music continued to evolve, blending bits of warm, thoughtful indie rock and clever, angular post-rock. Their 2012 independent release, Able Bodies, was a bit of a commercial breakthrough earning accolades from Google Play, which listed them as one of the top unsigned bands for that year. They continued to tour hard and in 2013 signed a deal with Triple Crown Records, who released the band’s third LP, 2014’s Absent Sounds. With Absent Sounds, Vannucchi’s music found more widespread exposure, charting in Billboard’s Top 200 and helping build anticipation for new material. A second EP titled Wanderer appeared in early 2016 and contained a mix of new songs and acoustic versions of others. In October of that year, From Indian Lakes delivered their Triple Crown follow-up, Everything Feels Better Now.with support from KING OF HECK
Catching Flies (live) – w/ Drew Cornwall (DJ Set) – 21+
Catching Flies — aka multi-instrumentalist, producer and DJ George King — released his debut album ‘Silver Linings’ in July 2019. Containing shades of everything from hip-hop to house, from soul to jazz, it was hailed as ‘a soundtrack to Summertime’ by the 405 — and was awarded album of the month by Future Music who described it as ‘a brilliantly eclectic record… a moving journey that will last long in the memory.’ Clash Magazine praised the LP’s ‘killer beats’ and ‘artfully orchestrated introspection,’ whilst London In Stereo praised it’s ‘exceptional production.’ Other press coverage for the album included The Guardian, Complex, Nowness, Mixmag, iD Magazine, Dazed & Confused, The Line of Best Fit and more. He has received radio support from the likes of Gilles Peterson, Pete Tong, Annie Mac, Lauren Laverne, Mary Anne Hobbes & Huw Stephens. Artist support for ‘Silver Linings’ has come from the likes of Bonobo, Jungle, Caribou, Loyle Carner, Nils Frahm, The Blessed Madonna, George Fitzgerald and Lane 8. He toured the album performing headline Live shows throughout the UK, Europe, Asia and North America, as well as DJ shows at Bonobo’s ‘OUTLIER’ event series in Europe and North America. He was also recently nominated for a BAFTA (‘Best Music’ category) for his soundtrack work on a video game. Silver Linings was followed by ‘Silver Linings Remixed,’ a remix album featuring versions of tracks from his debut album reimagined by DJ Seinfeld, Andhim, Soundbwoy Killah, Laurence Guy, Ron Basejam, Grandbrothers, Trim and more. Typically wide ranging on genre, the mood progresses from ambient soundscapes to hip hop beats, deep disco and house to breakbeats and emotive techno. Linking the album together includes a new Catching Flies track ‘Daymarks,’ a “Part 2” version of ‘Yu’ which features a transatlantic rap collaboration between the UK’s Jehst and US’s Blu (of Blu and Exile fame) and Catching Flies’ own “Ambient Reprise” of ‘Satisfied.’ Speaking on air on BBC6 Music, Lauren Laverne said — ‘Remix albums — sometimes they’re great, sometimes they’re not so good with lots of filler… This is not one of those. This is one of the really great ones where every track is different and diverse and interesting. You never quite know where it’s going to go, and I’ve put aside so many tracks to play on the show from this remix album. I would heartily recommend it. It works brilliantly well.’ Catching Flies then released an EP with Anjunadeep, as well as hit single ‘GLY,’ which has received over 20 million streams to date and came with remixes by revered British dance/pop band Hot Chip, and Ninja Tune’s DJ Boring. GLY was shortly followed by a Cercle live session performance of a new track called ‘Orsay,’ filmed at the iconic Musee D’Orsay in Paris. Next came dancefloor banger ‘Oi,’ which was subsequently remixed by Sofia Kourtesis. He has recently hit 2 million monthly listeners on Spotify (no mean feat given he releases all his music independently on his own imprint Indigo Soul). He is currently finishing his second album, scheduled to be announced and released later this year.
POSTPONED: Marlon Craft: The Long Game Tour – Early show! – Presented by Sean Healy – All Ages
This event has been postponed due to illness. We hope to have a rescheduled date shortly. All tickets purchased will be honored for the new date.VIP Meet & Greet packages are available! These include: GA Ticket, Early Entry, Photo Opp, Signed Polaroid Picture w/ Marlon, Signing of any pre-purchased merch, Meet & Greet w/ Marlon!
Emo Nite at Holocene presented by Emo Nite LA – 21+ event
Advance Tickets are now sold out! We will have door tickets available starting right at 9PM and throughout the night as capacity allows.$1 from every ticket sold will be donated to Living The Dream Foundation.
Kojaque – w/ NorthernDraw – 21+
Following the landmark projects Deli Daydreams and Town’s Dead, comes Phantom of the Afters. Kojaque’s first two records changed the Irish hiphop landscape forever. Now London-based, Kojaque’s Phantom of the Afters traces the blurred outlines of childhood trauma, depression, grief and love. This is an album that finds comfort and assurance in the acceptance of the self, through shedding what no longer serves. Informed by the pursuit of simplicity, while meditating on heartbreak, home and health, Phantom of the Afters finds Kojaque reflecting on the landmarks of a young life, in all their beauty and complexity.Beginning with a soundscape of Kojaque departing Dublin for London, and introducing the album’s concept character, Jackie Dandelion, this is a record rooted coming into one’s own authentic identity, as well as a new one of an Irish immigrant in London, grappling with the rejection of fame and status for the sake of it, senses of alienation, missing the clichés of Ireland – the delis, the Guinness the craic, and embarking upon a reconciliation with the self. The album’s journey begins with the physical transition to London on Jackie Took the Soup, foregrounding the myth, insult, and reality of “taking the soup”, a potent term in Irish society that plays with themes of national abandonment for personal survival. Larry Bird plunges the listener into self-asserted braggadocio, before reverting to the nostalgic daydream of Cabra Drive, while the heart is bared on Bambi and Woof (featuring Biig Piig). Fat Ronaldo / Covent Gardens marks a turning point not just on the record, but for an artist determined to open up, even if that means breaking down. If vulnerability is power, then Kojaque’s obliteration of performative swagger in exchange for a declaration of fragility, offers not just a life lesson, but a creative path forward towards revelatory authenticity. The soulful Wagyu asserts the intention of this new phase in a simple phrase: “I’d rather be nothing if I couldn’t be myself, that’s being honest.” The ode to anxiety, What If?, is followed by a defiant Citizen Kane’s, which leads to the anthemic love song Peakaboo, before title track Phantom of the Afters eviscerates the counterfeit culture of clout-chasing. Ending on a note of devastating tenderness with Heaven Shouldn’t Have You, the notes and sentiments of this remarkable and unexpected direction float somewhere above the Irish Sea, in the push and pull of past and present. Awarded a prestigious Royal Hibernian Academy Award in 2017 for his creative practice, Kojaque came to prominence with the genre-bending concept record Deli Daydreams in 2018, a project that also demonstrated his prowess as a music video director, and was nominated for the Choice Music Prize. Following performances at Glastonbury, Pitchfork Festival Paris, Primavera Sound, and SXSW, he released the album Town’s Dead, also nominated for the Choice Music Prize, in 2021. An album of huge ambition and scale, Town’s Dead solidified his colossally talented and singular vision as one of the most exciting Irish artists of his generation. Working as an independent artist, with a DIY spirit that spans music videos and short films, collaborations and day parties, as well as co-founding and running the label Soft Boy Records, Kojaque has sold out tours across Ireland, the UK, mainland Europe and North America, as well as celebrated support slots with Lana Del Rey, and an Australian and New Zealand tour with Loyle Carner. Every release has been critically acclaimed, building a dedicated fanbase with crowds connecting not just to his commentary on contemporary society, but also his soul-bearing integrity, with his music spawning fan tattoos, roaring festival crowds, and heaving venues.
Coleman Hell
EARLY SHOWwith special guest Colin JenkinsThis event is All Ages OFFICIAL TICKETS:ETIX is the official ticketing source and partner of Holocene. The official website of Holocene is holocene.org. We cannot guarantee the validity of re-sold tickets purchased from secondary ticket resale marketplaces such as Ticketmaster, StubHub, SeatGeek, Vivid Seats, etc. ALL SALES ARE FINAL. PLEASE, DOUBLE-CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.
Myriam Gendron, Jim White & Marisa Anderson – 21+
Mayday is the third LP by Montreal-based artist, Myriam Gendron. It follows her earlier, critically acclaimed albums, Not So Deep As A Well (2014) and Ma délire – Songs of love, lost & found (2021). Prior to her debut album, Myriam’s primary musical focus was busking in Paris Metro stations, performing the songs of Leonard Cohen and others, accompanying herself on guitar. Through her day job, working at a Montreal bookstore, Myriam discovered the poems of American writer, Dorothy Parker, who was better known for her cutting wit than her verse. Inspired by Parker’s words, Myriam wrote music to accompany a suite of them, then recorded the results in her bedroom. These recordings were issued as her debut LP, and continue to delight listeners who discover them, with their freshness, clarity and humor. After a brief hiatus, Myriam began exploring the complex folk traditions of Quebec (and beyond), recording the 2LP, Ma délire, which combines traditional and original songs (largely in French) with arrangements that make space for avant-garde musical interludes by such folks as guitarist Bill Nace (Body/Head) and renowned jazz percussionist Chris Corsano. Mayday is an even more syncretic fusion of these elements. Most of the songs are original, in both English and French, and blend traditional and avant elements with abandon. Additional players this time include drummer Jim White (Dirty Three), guitarist Marisa Anderson, Montreal bassist Cédric Dind-Lavoie (a fellow fan of trad/avant dynamism), Bill Nace and saxophonist Zoh Amba (whose horn actually gets the final “word”). Mayday is a thoroughly thrilling effort that manages to create new vistas of sound while maintaining a feel that is both intimate and familiar. Beautiful work.The collaboration between renowned drummer Jim White and acclaimed guitarist Marisa Anderson is a natural union of two of the most intuitive players and listeners working in music. White and Anderson are each very in-demand as collaborators in no small part because of their mastery, versatility and highly expressive playing. The duo have each amassed an impressive body of work, and remain at the vanguard of their practices due to an insatiable curiosity and delight in exploration of new avenues of expression. Their 2020 debut The Quickening exemplified that daring spirit as an exercise in trust: two musicians who had never performed together before committing those first moments in time to record. 2024’s Swallowtail is a deepening of that trust, White and Anderson completely immersed in the moment, each attuned to the other fluidly moving as wind and water. Swallowtail was recorded in the Australian coastal town of Point Lonsdale, Victoria with engineer Nick Huggins (Resting Bell Studio). White was coming off a month of international touring and Anderson traveled to Australia for the duo’s first few performances, the remote setting and calm provided the ideal backdrop. Says Anderson, “to be out of the city and on the coast with no distraction and to be working with an engineer (and avid surfer) who is attuned to the cycles of tides and sunrises and sunsets and ocean rhythms. I think all of that got into the music as we were making it.” The coastal cadence is evident in Swallowtail’s more gradual temporal shifts. Movements ebb and flow, in an undulating constant motion whose dynamic flourishes closely resembles their adaptive live performances. “When we play live we don’t stop, there are no breaks in between ‘songs’,” notes Anderson, “we segue naturally between movements and ideas. Sometimes we are together, and sometimes we are apart, sometimes the segues become the pieces.” The natural development of the duo’s own singular meter, this early in their collaboration, is nothing short of revelatory.
Holocene and Spend the Night Present: MACHINEDRUM_3FOR82_LIVE_A/V_ – w/ Bianca Oblivion, DJ Troubled Youth – 21+
Travis Stewart’s journey to making 3FOR82 began, fittingly, on 3/4. For his 41st birthday, on March 4th last year, he ventured out to Joshua Tree National Park, California, to seek clarity and inspiration for what became his 11th studio album as Machinedrum; 12 high-intensity, ruminative tracks that thread the needle between his past, present and future selves. 3FOR82 builds on the vocalist-centric, genre-blending songwriting of the last Machinedrum album, 2020’s A View Of U, and the thematic groundwork laid down on 2023 EP 4#TRAX (dedicated to channel trax on IRC, a ‘90s chat platform). Between drum & bass, hip-hop, jazz, R&B and juke, dazzling beat switches and a singular ear for sonics, Stewart weaves in a crew of collaborators. Jesse Boykins III, the album’s co-executive producer and a close friend of Stewart, leads with various contributions; while a ritzy cast including Tinashe, KUČKA, Duckwrth, AKTHESAVIOR, Mick Jenkins, Ezri, Tanerélle, Deniro Farrar, Topaz Jones, deem spencer, aja monet, ROZET, Will Johnson and Ian Maciak rounds the record off.This rich, prismatic approach to collaboration builds on the uptempo vocal manipulations that won Stewart acclaim in electronic communities, notably on 2011’s breakout LP Room(s) and 2013 opus Vapor City. 3FOR82’s lead single ‘ZOOM’, featuring Tinashe, kicks off the campaign on March 4th; the album is due for release on May 24th, through Ninja Tune, accompanied by a boutique printed zine, co-designed with visual artist and LuckyMe affiliate Joseph Durnan [124 World]. Given that Ninja Tune was one of young Travis’ favourite labels, this speaks to a mantra guiding the record: observing nostalgia through a contemporary lens. In the quiet vastness of Joshua Tree, Machinedrum combed through old harddrives full of his late-’90s beats: many of them were made on Impulse Tracker, a rough freeware programme that lay untouched for the better part of a quarter-century. “That’s really where I cut my teeth in electronic music-making,” he remembers. Although he’s been a committed Ableton Live user for years, “there’s been a yearning for me to tap back into that older self; the software is super limiting, and there’s a unique creativity that comes out of limitations.”After finding a DOS emulator that would run Impulse Tracker, he recorded himself playing and riffing off these beats to build 3FOR82; sample by sample, he made original sound banks that could be fed into a dedicated library, giving 3FOR82 a distinct tone. “From there, there was no going back,” Stewart smiles. “It bridged the gap between my past and future self”. This period included recording himself and his environment with a VHS camera, then running the footage audio into the tracker, creating a meta-library of sounds.With decades’ of work under his belt, across various guises — including Machinedrum, ambient project Tstewart, indispensable club rocket J-E-T-S with Jimmy Edgar and Sepalcure with Praveen Sharma — a collaborative outlook and practice is what charges Stewart.